It was a movie that seemed to have everything in its favor: the most charming A-lister of his time, hot off the release of massive successes like Independence Day and Men in Black the latter's director, Barry Sonnenfeld, a man known for his visual ingenuity Oscar winner Kevin Kline, rising star Salma Hayek, and Shakespearean delight Kenneth Branagh in supporting roles and a western-steampunk aesthetic blended with top-of-the-line special effects that were sure to delight audiences worldwide. It’s been 20 years since Wild Wild West crashed and burned at the box office, signaling the first true flop of Will Smith’s era as the premiere leading man of the late 1990s. Why a giant spider? Who knows? Then again, the confusion around that particular plot point merely highlights the confusing mess that was the rest of the movie. What does Will Smith fight in that film’s climax? You guessed it. Superman Lives never got made (instead, watch a really fun documentary about its failure to launch), but Peters never lost his dream of that giant spider.Ĭut to 1999 and the movie Wild Wild West. ![]() As detailed in one of his funniest stories, Smith noted how Peters had three stipulations for his Superman project: Supes couldn’t fly, he couldn’t wear that outfit, and he had to fight a giant spider in the third act of the movie. ![]() Peters, the former boyfriend and hairdresser of Barbra Streisand who went on to produce Tim Burton’s Batman, was a wildly divisive figure and the very epitome of the mad Hollywood producer stereotype, as evidenced in his meetings with Smith. When Smith was offered the chance to pen the script for a Superman movie in the ‘90s, he met with the infamous Oscar-winning producer to make his case. ![]() If you’re familiar with the work of Kevin Smith, then you’ve most certainly heard the story of his encounter with Jon Peters.
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